Feed Me is a lot more 4/4-oriented – I imagine it as a rock, funk and psychedelic band, except I’m the whole band.” "It was much more abstract too and I liked how jazzy he was. To me, Squarepusher sits closer to drum & bass, and when I was making that stuff he was the person I was listening to most because the music had a lot of classic rave breaks and sub sine wave basslines. “Yeah, and I don’t know how he plays bass like that either – it almost sounds impossible for it to be physical, but it’s based on a lifelong dedication to the art. For example, by implementing electric bass… Squarepusher is an influence of yours who also balances his digital side. When I’m producing I’m always trying to hide the process so you just hear the result I just thought I should include more of that tennis match between digital and analogue right from the beginning.” I took photos on film, but now I use film and digital cameras, and I played in an orchestra when I was young and now I’m using soft synths. I grew up painting and drawing but also learning Photoshop. We read that you’re motivated by balancing analogue and digital domains… "Varying the experience is part of keeping things fresh and interesting and can be far more useful than updating a soft synth.” Plenty of people say they want to get away from a screen, pick up a box, go somewhere and create music in a different environment.
"The experience is limited by that interface unless you start talking about people making things in virtual reality, but that’s still a bit esoteric and novelty.
#Yamaha cs 700 software software#
“I certainly think there’s a little bit of repackaging going on and it’s very difficult for current software to move much further than it’s gone because you’re still a person at a screen with a mouse and a MIDI input. Ultimately, I wanted to try and create shorter distances between the sounds I imagined and what I ended up with.” "The experience of making it has become just as interesting to me, so I brought in a lot of analogue media, expanded my modular setup and went out and bought a couple of guitars that I particularly wanted to use. I’ve realised I’m no longer obsessed with fidelity or ever-improving a sound. "Coming into a third album, I wanted to change how I approached making a record from the ground up, so rather than using emulated sounds I went straight to the original source. I was pleased with the end result, but pulling them together was like trying to fit too many clothes into a suitcase. They’re like a scrappy diary of sounds and ideas. “With the benefit of hindsight, the last two albums were a collation of ideas that I wrote on the road, off the road and all over the world. I was also trying to work out how little information I could put in an image while still being able to tell it was the Feed Me character.”Īligned to that, how do you think the music has evolved on this latest release? "With this album I wanted to take the character back to the abstract and consign a colour palette that joined the sketches I’d made in the studio. I’ll often bounce to tape and delete the file so I have no choice but to continue with what I’ve got
“I turned Feed Me into a character to turn the attention away from me because I didn’t want to be in the artwork, but it’s definitely a fantasy – a way of expressing my more mischievous and energetic side without having to be the central ego of the project.
0 kommentar(er)
